1’20” B/W Nov 2013 audio generator(GW), audio generator(LW), monitor scope, video camera1'20", 黑白 两台信号发生器，示波器，摄像机 2013.11 conversation 片段
Synopsis简介
Original video duration 13'56''.
原片时长共13分56秒
Smoking 烟
video录像
info信息
mute 3 min, pal, color. May 2013。Beijing. 单频录像，彩色，无声。 3分钟，Pal, 彩色
Synopsis简介
In the night, indoors. A woman in a pajama walked to the window in the silent darkness. It seemed that she lost sleep because of thinking something, or just woke up from a nightmare. Whatever, she lit a cigarette at the window. In the light from the road lamp outside, she seemed to change into several different women under the weak light during the time of a cigarette. The video was shot with a fixed camera. Four different women play the same role who smoke a cigarette in front of the window. All of their movements were made into a flawless "one shot".
When a woman is observed with certain mood under certain light with certain distance, how many aspects will she possess? As the audience, will he doubt his judgement on such a monotonous image?
夜晚室内，寂静的黑暗中一个女人穿着睡衣走到窗前，似乎是想到什么而睡不着，又可能是从噩梦中走出来.....，总之她在窗前坐下点燃了一支烟，窗外路灯隐约的光线打在她脸上，而她似乎在微弱的光线中变换成了好几个不同的女人，而整个过程只是一支烟的功夫。固定机位的拍摄，由四个不同的女人来扮演，她们要完成的任务就是扮演同一个女人在窗前抽完一支烟，所有的动作要连贯成无缝衔接的“一个镜头”。
一个女人在某种特殊的情绪和某个特殊的光线以及某种距离观看时，到底有多少面？而观者是否又会质疑自己对如此单调的画面所作出的判断。
CO-SOUND PERFORMANCE FESTIVAL合声音乐节2013
Performance演出
info信息
gogoj audio solo盛洁独奏
Synopsis简介
live audio performances in the Zhujiajiao Ancient Town in Shanghai.
5. 2013. Zhujiajiao Shanghai.
朱家角艺术节，
演出场地位于上海朱家角古镇的一座百年老宅－朱矶阁。
2013年5月，朱家角，上海。
Frischzelle 2012
Performance演出
info信息
Guqin: Wuna Visual: gogoj at cologne 22.9.2012古琴：巫娜 视频：盛洁gogoj 於科隆，2012年9月22日
single screen
4'11",Pal, Color 6. 2012. Beijing单频录像 4分11秒，Pal，彩色 2012年6月
Synopsis简介
It is a re-production of my video installation work "To Become A
Star in Beijing" finished in 2008. The time differences captured
and recorded by the camera with various shuttle speeds under the
flashlight show partial images. The blaze flashing suddenly from
darkness is a kind of concern with violence. The audience have to
learn to enjoy the momentary stimulations on their retina given by
the blaze because it dose not only give beautiful light spectrum,
but also explanations to vanity.
再次制作曾经在2008年做过的一个录像装置作品《来北京当明星》。照相机的闪光灯在摄像机的镜头前以不同的快门速度捕捉记录下的时差，所呈现出的是半祯的光影画面，从黑暗中突然闪烁出的强光是暴力的关注，观者需要学会去享受那一瞬间视网膜对强光袭击的刺激，因为那个瞬间有美丽的光谱，也有对虚荣的阐释。
dry sound干 噪
sound声音
info信息
Dry Sound by gogoj Equipment: Audio Generator + Monitor Scope + Iphone App Feb 2012. Beijing.
“一个老外说过：难听的意思不是不好听，是听起来很困难”。 设备：声音信号发生器＋示波＋Iphone App 2012年2月於北京。
Ruins Face江公馆
audio visual art视听艺术
info信息
17’18” B/W Jan 2012 Acoustic violin, electric violin, laptop17'18", 黑白 2012.1 原声小提琴＋电子小提琴＋电脑
Synopsis简介
Abandoned buildings are dead buildings, like dead people. Their
appearances are hesitating to leave together with the disappearing
time.
The video samples were shot in a ruin in Zhu Jia Jiao, Shanghai,
which was said to be built for Jiang Zemin, who once visited here.
After Jiang’s leaving, it became into a ruin.
被遗弃的建筑也是死去的建筑，如同死去的人，生时的样貌在即将消失的时间里犹豫着是否要离开。
2010年素材摄于上海朱家角的一片废墟，传闻是曾经为迎接江泽民而建立的一座豪华别墅，江走后一夜之间成废墟，故取片名为江公馆。
Gravitational Field重力场—2011 Himalayas Cross-Media Art Festival—2011喜玛拉雅跨媒介艺术节
Performance演出
info信息
Organized by: Himalayas Art Museum Dates: Oct 2, 2011 Venue: Infinity Space at Himalayas Center Saxphone: Li Tieqiao Visual: gogoj
主办：喜玛拉雅美术馆 时间：2011 年10月2 日 地点：喜玛拉雅中心无极场 李铁桥：萨克斯 影像：gogoj
Organized by: Himalayas Art Museum Dates: Oct 2, 2011 Venue: Infinity Space at Himalayas Center Audio Visual Solo. Acoustic Violin + Violin electronic + Laptop 主办：喜玛拉雅美术馆 时间：2011 年10月2 日 地点：喜玛拉雅中心无极场 视听独奏。 原声小提请＋电子小提琴＋电脑
Install On The Roof Of The Triple-Major Shop,A Using 400′S Traditional Chinese Medicine Soup Filter. 4 Fans, 2 Fans On Top For Barrier The Noise Form The Street,People Can Listening And Feeling To The Wind Form The 4 Fans, And Wacthing It Form The Filter.
安置在宝钞胡同81号，Triple-Major概念店“药”的顶层露台。
材料：四百只药淋子，四台电风扇。
风扇提供了一个观景角度，站在两台风扇之间感受着凉风，栏杆上夹着的另两台小的风扇在耳朵两侧有如一副耳机，适度的风声阻隔了街面传来的嘈杂，风吹动地上的药淋子象一种生命在无序的摇摆。
注解：药淋子是用来熬制中草药时筛漏药汤的工具，非常平民化也很便宜，而现在大部分的人们已经不再会去自己熬制中药，于是这简单廉价的小东西在时间里轻薄的接近消失。
此地无声是由Shan工作室与Homeshop家作坊及其朋友共同发起的，以寻找作品的方式去认识这座城市，参展的16位艺术家在北京东城区二环内，以交道口北二条为起点将个人的作品分布安置在周围各个公共空间和商铺，其中包括国子监，鼓楼东大街，其间很多的胡同，古老的，残存的，地道的，北京的。观众需要领取地图去寻找作品，由声音艺术和视觉艺术，行为，讲座，Workshop，交谈，游览，吃吃喝喝构成。
展期：2011年6月5日－6月12日
12'18" , Pal , B&W 2. 2011. Beijing. Music and Video by gogoj Dancer & Vocal by Olivier Heux 12分18秒, Pal, 黑白 2011年2月，於北京 音乐与视频制作：盛洁gogoj 人声，舞者：Olivier Heux
Performance, 16min. Jan 2011. at Homeshop. Give subtitles to an adult video according to one of my dreams in 2008: Test Tube Boy and Fragile Glass
行为，16分钟。2011年1月，家作坊。 一个在2008年做过的梦为一部劣质成人录像配的字幕：
试管青年和脆弱的玻璃
Synopsis简介
Olivier and I were living in a so-called high-grade apartment in Paris, which actually looked like a relocated community of China, dirty, simple and crude. Out of the apartment window, it was a second-hand market where many Arabians selling second-hand furniture and some Chinese supermarkets selling food from the 1960s. I got no idea who gave me a great-looking grey-colored plastic pistol, which has a return and a play keys on it. When I was still wondering what was wrong with the pistol, it began to tell a story of its past owner. On the screen there was a young boy (mixed-blood) riding a bicycle across the place where I lived in my childhood. He killed a middle-aged man with the pistol. In the following shot, he was prostituting in the dark, giving a man blowjob with lots of sweat, and then another… poor boy. In the end he was still killed and his pistol was given to me. It was not a toy, but what should I do with it? Then I though I could just sell it. I met another young man in the second-hand market, who was selling second-hand watches. He showed me a lot of watches with all styles, from modern style to designed style and also vintage ones. He said these were watches once belonged to Hegel and Lu Xun. From those dusty watches, I found that Nietzsche and Tagore used the same type of minima-designed black watch. I doubted that if he was just a cheater. At that moment, this guy told me that in fact he was a test tube and also a writer. He showed me the book he wrote, full of false sentimentality. I only remembered the last sentence: in our times there are a lot of people living on sending Cokes. They were named “Coca Cola men”. Coca Cola men enriched this economic society and accelerated its death. When I read this, he suddenly changed into a straight test tube.I cleared my mind after waking up. Here is my conclusion: Pistol = camera, boys = glass, knowledge of scholars = bitches of time, Coke = Test tube, Me = second-handed.
我跟Olivier住在一个声称是位于巴黎的一所高级寓所里，可那看上去分明就是个回牵楼，并且肮脏简陋，从窗户望出去是个二手集市，很多老阿在那里卖旧家具，还有中国超市卖着一些60年代的食品。也不知道是谁给了我一把塑料手枪，灰色的，看上去挺高级，明明是把枪怎么那上面还有回放和播放的功能键呢，正琢磨呢，那枪就开始告诉我它原来的主人是怎么样的，画面里一个年青的男孩（咖啡混血）骑着自行车穿过我小时候住的地方，他用那把手枪杀死了一个中年男人，然后就是黑夜里他在卖淫，满头大汗的给一个男人口交，又再去伺候另一个男人…可怜的男孩，最后他还是被打死了，他的手枪就到了我的手里，那不是玩具，可是我拿着它又能干吗呢，就想着干脆去二手市场卖了得了。在二手市场碰见另一个青年，他是卖二手手表的，他给我展示了很多手表，有新款的样式很现代很设计，也有老式的，他告诉我说这些是从黑格尔到鲁迅先生带过的手表，我在那些满是灰尘的手表里发现尼采跟泰格尔老人家有同样的一块设计很极简的黑色手表，我很疑惑他是否是个骗子，那青年这时候就告诉我说他其实是支试管，并且他还写书。他就给我看他的书，他的文字很嚼情，只记得最后一句好像是这么写的：这个时代有很多以给人送可乐为生的人，这种人群我们称之为：“可乐人”，可乐人密集了这个经济社会并使其快速走向灭亡。看到这里的时候他就变成了一支上下一边直的试管。醒来以后整理了一下思路，总结出这么几个东西：手枪＝摄像机，男孩＝玻璃，学者的知识＝时间的表子，可乐＝试管，我＝二手。
2008年2月20日
Salt Meditation听盐
audio visual performance视听行为表演
info信息
Exhibition: The Third Party At Platform China. Jan 2011. Beijing.
专注力的视听力修习。 展览：第三方 地点：站台中国 2012年1月，北京
Material: acrylic boxes, fishing line, water, plant form moca park, light. Size: 13m x 3.7m "String" installation at MOCA ShangHai Museum of Contemporary Art 2010 nov, Exhibition - beyond the body.材料：塑料透明盒子，鱼线，水，人民公园里的植物残枝，灯光。 尺寸：13米 x 3.7米 於展览［弦外］2010年11月上海当代艺术馆
String / Tokyo 弦 /东京the beauty of strings stretched taut.紧绷的美丽
sound-lighting installation声影装置
info信息
materials: acrylic boxes, fishing line, water, bead, flashlight. size: 6.7m x 3.5m
材料：塑料盒子，鱼线，水，玻璃珠，手电筒 尺寸：670cm x 350cm 2010年11月 於东京 3331 Art Chiyoda
Synopsis简介
"String" is an interactive audio-visual installation completely free of any high-technology digital components. It uses simple, everyday principles of sound and light and is realized with common materials. Fishing line bears qualities similar to those of musical strings, and stretched across clear boxes in number and attached to a wall analogous to musical wood, it becomes an enormous stringed instrument. The boxes act as the bridge of the instrument, and with certain pressure on the fishing line, sound is produced. Water is contained in each of the boxes, and with each pluck of a string, participants can see the tableau of ripples produced by the vibration of sound. By moving the clear boxes up and down, different pitches of sound can be adjusted.Lit from above, the work forms rays of flowing light.Just as Eastern aesthetics are to a great degree created in a context of restriction, the stretched fishing line has the possibility to break at any time. This installation requires interaction on the part of its viewers, but only such that those who want to see or hear its beauty must do so at the risk of destroying it.
"String" installation in tokyo 2010,Nov, at 3331 art chiyoda.
［弦］是一个声音与影像初始自然生成原理的互动装置，与数字高科技无关。制作材料使用的是比较廉价常见的日用品。鱼线在这个装置里所起到的作用相当于一个弦乐器的弦，两端固定在木板墙上，再把装有水的塑料盒子插入鱼线与木板墙之间，由于塑料盒子有一定的体量会将固定在墙上的鱼线紧绷起来，在一定的张力下去弹拨鱼线就会发出类似弹拨乐器的声音，塑料盒子如果被上下移动便可以调制出不同的音调，也就是说塑料盒子的作用相当于一个弦乐器的码子，而由于整个墙面是木质的也就成就了共鸣这一乐器最基本的功能。一根鱼线一个塑料盒子加墙面上两根木条所制造的轨道（用来固定盒子只能上下移动）成为一组，可以根据空间的大小来无限的制作轨道的数量，一个庞大的弦乐器就在一个空间里产生了，可以供多人演奏。盒子里的水是通过手电的光来呈现弹拨时的声音所产生的水纹震动，而每一个盒子里的玻璃珠则像是一个个东京人的心脏，因为这个作品是在东京艺术驻留期间制作的，日本文化中的束缚与紧张也是东方传统美学里的重要部分。
Audio Visual Art Performance at 3331 Art Chiyoda模拟系统视听表演
performance表演
info信息
Audio Visual Art Performance at 3331 Art Chiyoda Analog Audio Genarator + Iphone App September 2010. Tokyo. Japan.
模拟系统视听表演 模拟信号发生器＋Iphone App. 2010年9月於东京 3331 Art Chiyoda，日本。
The Whole Filme Duration: 30′ 2009.5 Zhujiajiao ShangHai
Pal 彩色 全片长度：30分钟 2009年5月，上海朱家角。
Synopsis简介
Big Can Is A Landscape Of Zhujiajiao, And Now Is Disappeard. Inside Of This Can Is Warm,Closeness, Empty….Feel Like A Big Uterus Singular, There
Are Very Wonderful Sound Field, The Sound Was Echoed, Concentrated And Falled, Every Things Stoped In The Time By The Sound Form, Every Element Inside Shattered And Rebirth. We Are Just Tourist And Using Our Body Sound Communicate With This Strange Space Closed.
This Film Will Be Distribute On Dvd.
大罐子是位于朱家角（距离上海一小时车程的江南水乡小镇）的一景，并且现在已不存在。这个废弃的大油罐只有猫着腰才能进入，里面闷热，空荡，象一个巨大的奇异子宫，里面有非常美妙的声场，回旋，聚集，落下，一切都在时间里用声音的方式沉淀下来，一切都是自然的不需要任何后期处理和加工，那些地上残留的油渍也在与声音同时震动着，而我们是一群好奇的游客，用自己的声音去认识这个陌生封闭的空间。
现在已经消失了。
North Road by L' OS Vocal: Olivier Heux Music: gogoj July 2008 Beijing
https://myspace.com/monolos
L'OS
人声：Olivier Heux
音乐：gogoj
2008年7月於北京
L’OS在法语里是“骨头”的意思，由gogoj(北京)和 Olivier Heux（法国） 成立于2008年，音乐创作风格偏向于实验吟游诗歌，噪音宗教仪式。L’OS尝试创造出一些非常自我的语言来阐释存在于现实中的不同空间分隔的游离状态，粗糙的质地和不稳定的吟诵制造出来的是一种黑色的不安。
电脑, 小提琴/ laptop&violin: gogoj
人声，鼓 / drum&vocal： olivier 链接：http://site.douban.com/los/
To Become A Star in Beijing来北京当明星
video视频
info信息
double screen 5' Pal color 6. 2008双屏录像 5分钟，Pal, 彩色 2008年6月
Synopsis简介
he time differences captured and recorded by the camera with
various shuttle speeds under the flashlight show partial images.
The blaze flashing suddenly from darkness is a kind of concern
with violence. The audience have to learn to enjoy the momentary
stimulations on their retina given by the blaze because it dose not
only give beautiful light spectrum, but also explanations to vanity.
This work was installed at the entrance of Art Beijing 2008 .
照相机的闪光灯在摄像机的镜头前以不同的快门速度捕捉记录下的时差，所呈现出的是半祯的光影画面，从黑暗中突然闪烁出的强光是暴力的关注，观者需要学会去享受那一瞬间视网膜对强光袭击的刺激，因为那个瞬间有美丽的光谱，也有对虚荣的阐释。
此作品被安装在2008年的艺术北京影像馆的入口处。。
split screen on many monitor B&W, Pal. 2006多频矩阵影像装置 黑白，Pal 2006年
Synopsis简介
A and B stand face to face, A pushes B to produce another B, every push by A will produce a new B and this goes on until all the Bs push A off the screen, The video "push" attempts to capture what is currently occurring in China where creativity is taking a back seat to mere copying. Although numerous individuals are producing works under the banner of creativity, in reality most of the "creative" works are mere copies of what has already been produced. This takes on a life of its own where the copy of a copy overwhelms the senses.
A与B面对面站着，A推B而制造出另一个B, 在每一次A的推动下都会产生新的B，依次产生越出画面，最后所有被推出的B一起将A推出了画面。
通过视觉化的无限复制来体现生产与制造的盲目庞大化，最终所带来的失控。
