GOGOJ

2019/4 盲音 The Sound Of Blind audio performance

The Sound Of Blind

Color PAL HD

full version duration: 16’02”

shooting at may 2018.

short version duration: 3’48”

 

盲音

彩色 PAL 高清

完整版长度:16分02

两个人像是约好一样同时来到地下通道,拿出各自的乐器,蒙上眼睛往前走,全程不交流,通过对方的声音对自己进行方向的指引,当两个演奏者汇合之后再往各自的反方向继续行走,回到自己的起始点,收起乐器并离开。

演奏者始终保持同一频率的音和节奏的演奏,无需更换,让自己乐器发出的声音接近均匀的呼吸。视觉被设置消失之后,听觉在空间里被慢慢放大,身体其他的感知处于未知的状况。

此网站视频片段长度为3分48。

拍摄于2018年5月

2018/9 欲言又止 Utterance But Silence DOT Audio Visual Art Performance

Utterance But Silence

Duration:10‘50″

Audio Visual Art Performance by DOTavlab at TEDx Factory798. Beijing.

concept / audio visual patching / music by gogoj aka Sheng Jie

part of video footage by Sanqing

video link: https://vimeo.com/manage/301717773/general

欲言又止

时长:10分50

作品概念:在人工智能时代,我们对未来提出了一种设想:当人类有一天失去自己语言的时候,会不会是一种“欲言又止”的状态?

DOT视听艺术表演在 TEDx 798工厂,北京

作品概念/视觉编程/音乐制作 :盛洁gogoj

视觉素材部分提供:三青

 

2017/8 视听艺术表演 Audio Visual Art Performance audio visual art

Audio Visual Art Performance at  exhibition [.ZIP]

gogoj & Dinxie

Today Art Museum,Beijing.

Aug 2017.

视听艺术表演 于展览 .zip

盛洁&丁昕

今日美术馆

2017年8月

2016/7 昨天写给明天的信 Letter From Yesterday installation

Letter From Yesterday

field recording / video

duration: 8 ‘

2016, Exhibition “Change and Breath Drug”, Hunsand Space, Beijing.

 

昨天写给明天的信

2016年7月,展于《第六颗子弹》拾万空间

环境录音/单频录像

时长:8分钟

 

2015/12 大提琴二重奏 Cello Duo Audio Visual Art Performance

Cello Duo

visual programing & electronic cello by gogoj aka Sheng Jie.

cello by Aming

dec 2015 at AM art space, Shanghai.

video link: https://vimeo.com/152147240

 

 

大提琴二重奏

无窗的风景系列演出

audio visual art 现场

视觉程序:盛洁

电子大提琴:盛洁

原声大提琴:阿鸣

2015年12月于上午艺术空间,上海。

视频链接: https://v.qq.com/x/page/q017985wpmp.html

2015/12 废墟的塔 Pyramid Of Ruins audio visual art

Pyramid Of Ruins

material: ceramics, wood.

An audio visual art work《Ruins face》 inside of this object pyramid, connect a tele for watch this video art work.

15 pieces limit edition.

Dec 2015. Beijing.

废墟的塔

材料:陶瓷,黑檀,黑酸枝

将我的一个视听作品《江公馆》封装在陶瓷和木结合的金字塔里,让此器物成为一个循环播放器。

手工制品,15件限量出售。

2015年12月,北京

 

 

2015/7 教堂的后花园 Back Garden Of The Church installation

Garden Of The Church

Easy confession by that numbers , tow telephone (interior line) install in the back garden of the church.

Cologne, Germany.

23/7/2015

教堂的后花园

在教堂的后花园安置了两台互通的电话,用来倾诉,中间的休息等待区域可以坐一个人,可以倾听可以等待。

2015年7月23日

装置,科隆,德国

 

2015/7 Tonlagen Mega Sounds 电子艺术节 Audio Visual Art Performance

Audio Visual Art Performance at Tonlagen Mega Sounds

electronic festival.

Jul 2015 . Desden, Germany.

视听艺术表演于Tonlagen Mega Sounds 电子艺术节

2015年7月 德累斯顿,德国

2015/6 空故纳万境 Myriad Visions Rise From The Void film

Myriad Visions Rise From The Void

Color,PAL

[Myriad Visions Rise from the Void] is a film in 4k i did for An action painting project with a painter name is Liu Shangying.Will expose at national art museam of china in beijing on 16 june 2015. All the images footage shooting and sound recording at Ngari Tibet on last summer. more than half one year for editing. Many hard jobs but really enjoy it.
Complete version is 17’55”.

Concept by Liu Shangying & Sheng Jie

Film Producer and Painting by Liu Shangying

Camera / Sound / Edit by Sheng Jie

Camera & Sound assistant by Fu Xiuliang

video link: https://vimeo.com/129871033

 

空故纳万境

彩色,Pal. 4k

时长:17’55

空故纳万境是与画家刘商英合作的影片。2014年拍摄于西藏阿里,2015年影片完成后期并与刘商英在阿里写生的所有画作在中国美术馆展出。

项目策划/概念/制片/片中画家:刘商英

概念/摄像/剪辑/录音/声音后期:盛洁gogoj

摄像/录音助理:傅秀良

视频链接:https://vimeo.com/129871033

 

2014/6 沙男 Sand Man video art

Sand Man

Color / PAL / HD

Duration: 12′

“Marchants du sable” (sandman) will be a Video project collaboration with Butoh artist Bei O.

This character is coming from aRole Playing Gamewhich is a dream maker only appearing in people deep sleep , like a ghost and film director.Maybe there are many of them.

Shooting at Huangshan, Anhui.

沙男

彩色 PAL,HD高清

时长:12分钟

沙男是一部与北鸥(片中舞者)合作的录像。

沙男是来自于角色扮演游戏(一种多人桌游)书籍中的一个角色,他会在夜晚潜入人们的深度睡眠中造梦,他象一个导演,也象一个幽灵,可能有许多个,可能是一种职业。

拍摄于安徽黄山。

2013/11 交流 Conversation Analog Audio Genarator

Conversation

analog audio genarator, monitor scope.

duration: 14’09”

交流

模拟信号发生器,示波器

时长:14分09秒

 

2013/5 合声音乐节2013 CO-SOUND PERFORMANCE FESTIVAL audio performance

CO-SOUND PERFORMANCE FESTIVAL

gogoj audio solo

live audio performances in the Zhujiajiao Ancient Town in Shanghai.

5. 2013. Zhujiajiao Shanghai.

合声音乐节2013

盛洁独奏

朱家角艺术节,

演出场地位于上海朱家角古镇的一座百年老宅-朱矶阁。

2013年5月,朱家角,上海。

2013/5 烟 Smoking video art

Smoking

mute

3 min, pal, color.

May 2013。Beijing.

In the night, indoors. A woman in a pajama walked to the window in the silent darkness. It seemed that she lost sleep because of thinking something, or just woke up from a nightmare. Whatever, she lit a cigarette at the window. In the light from the road lamp outside, she seemed to change into several different women under the weak light during the time of a cigarette. The video was shot with a fixed camera. Four different women play the same role who smoke a cigarette in front of the window. All of their movements were made into a flawless “one shot”.

When a woman is observed with certain mood under certain light with certain distance, how many aspects will she possess? As the audience, will he doubt his judgement on such a monotonous image?

单频录像,彩色,无声。

3分钟,Pal, 彩色

作品阐述:

夜晚室内,寂静的黑暗中一个女人穿着睡衣走到窗前,似乎是想到什么而睡不着,又可能是从噩梦中走出来…..,总之她在窗前坐下点燃了一支,窗外路灯隐约的光线打在她脸上,而她似乎在微弱的光线中变换成了好几个不同的女人,而整个过程只是一支的功夫。固定机位的拍摄,由四个不同的女人来扮演,她们要完成的任务就是扮演同一个女人在窗前抽完一支,所有的动作要连贯成无缝衔接的一个镜头

一个女人在某种特殊的情绪和某个特殊的光线以及某种距离观看时,到底有多少面?而观者是否又会质疑自己对如此单调的画面所作出的判断。

2013年5月

2012/9 Frischzelle 2012 audio visual art

Frischzelle 2012

Sound: Yinyi

Visual: gogoj

at Dusseldorf. 20.9.2012

Frischzelle 2012

声音:殷漪

视频:盛洁gogoj

於杜塞尔多夫,2012920

2012/8 二进制声场 The Situation Of The Body And The Binary Audio Visual Art Performance

The Situation Of The Body And The Binary

Audio Visual art performance

gogoj Solo

8.2012. at Zajia Lab

Beijing.

二进制声场

声音视觉艺术的即兴表演

盛洁gogoj 视听独奏

2012年8月19日於杂家

北京。

2012/6 明星 Star video art

Star

single screen

4’11”

Pal, Color

6. 2012. Beijing

It is a re-production of my video installation work “To Become A

Star in Beijing” finished in 2008. The time differences captured

and recorded by the camera with various shuttle speeds under the

flashlight show partial images. The blaze flashing suddenly from

darkness is a kind of concern with violence. The audience have to

learn to enjoy the momentary stimulations on their retina given by

the blaze because it dose not only give beautiful light spectrum,

but also explanations to vanity.

明星

单频录像

411

Pal, 彩色

20126

再次制作曾经在2008年做过的一个录像装置作品《来北京当明星》。照相机的闪光灯在摄像机的镜头前以不同的快门速度捕捉记录下的时差,所呈现出的是半祯的光影画面,从黑暗中突然闪烁出的强光是暴力的关注,观者需要学会去享受那一瞬间视网膜对强光袭击的刺激,因为那个瞬间有美丽的光谱,也有对虚荣的阐释。

2012/2 干燥 Dry Sound Analog Audio Genarator

Dry Sound

Equipment: Audio Generator + Monitor Scope + Iphone App

maybe difficult for listen.

Feb 2012. Beijing.

干燥

“一个老外说过:难听的意思不是不好听,是听起来很困难”。

设备:声音信号发生器+示波+Iphone App

我用模拟信号发生器制作一张噪音专辑取名叫《干燥》,并将其手工制作成10张CD赠送给在那一年对我来说非常重要的朋友们。

2012年2月於北京shan工作室。

2012/1 听盐 Salt Meditation performance

Salt Meditation

A meditation with salt.

audio visual performance

Exhibition: The Third Party

At Platform China.

1. 2012. Beijing.

听盐

视听行为表演

专注力的视听力修习。

展览:第三方,

地点:站台中国

2012年1月,北京

2011/11 江公馆 Ruins Face audio visual art

Ruins Face

17’18”

B/W

Nov 2011

Acoustic violin, electric violin, laptop

Abandoned buildings are dead buildings, like dead people. Their

appearances are hesitating to leave together with the disappearing

time.

The video samples were shot in a ruin in Zhu Jia Jiao, Shanghai,

which was said to be built for Jiang Zemin, who once visited here.

After Jiang’s leaving, it became into a ruin.

江公馆

17’18”, 黑白

2011.11

原声小提琴+电子小提琴+电脑

被遗弃的建筑也是死去的建筑,如同死去的人,生时的样貌在即将消失的时间里犹豫着是否要离开。

2010年素材摄于上海朱家角的一片废墟,传闻是曾经为迎接江泽民而建立的一座豪华别墅,江走后一夜之间成废墟,故取片名为江公馆。

2011/10 重力场 Gravitational Field Audio Visual Art Performance

Gravitational Field

2011 Himalayas Cross-Media Art Festival

Organized by: Himalayas Art Museum

Dates: Oct 2, 2011

Venue: Infinity Space at Himalayas Center

Audio Visual Solo.

Acoustic Violin + Violin electronic + Laptop

重力 —2011喜玛拉雅跨媒介艺术节

主办:喜玛拉雅美术馆

时间:2011 102

地点:喜玛拉雅中心无极场

视听独奏。

原声小提请+电子小提琴+电脑

2011/6 [零]Zero installation

Zero

Installation 2011,6.

Install On The Roof Of The Triple-Major Shop,
A Using 400′S Traditional Chinese Medicine Soup Filter. 4 Fans, 2 Fans On Top For

Barrier The Noise Form The Street,
People Can Listening And Feeling To The Wind Form The 4 Fans, And Wacthing It Form The Filter.

http://www.soundofnowhere.info/

The Sound of Nowhere is an art project to be embedded deep in the recesses of Dongcheng District, scattered in the vicinities of Andingmenand Gulou. This is an experiment with sound and geography, whereby artists and ‘sound laborers’ will for the duration of one week present workshops, lectures, installations and performances for various locations on the map—from art spaces, a theatre, restaurants to a hair salon. The projects will be traceable from a printed map that guides participants for short walks within a 20 minute radius to find and experience these works as interventions and exchanges with the surrounding public space. By working from a conceptual recognition of sound, we seek to locate and initiate certain resonances between this often overlooked sense and its relation to the noise of our daily urban environs.

主办方 ORGANIZERS: 组织 ZUZHI / 家作坊 HomeShop / Shan-工作室 Shan-Studio
合作机构 PARTNER: 法国驻华使馆 Embassy of France in China
策划团队 PLANNING TEAM: 颖雅 Elaine W. HO, SHENG Jie aka Gogoj, XUE Xian, 骏园 Jun-Y CIAO
项目执行 PROJECT CHIEF EXECUTIVE: XUE Xian
海报设计 POSTER GRAPHICS: WoWo
网站设计 WEBSITE: www.ourwork.is
特别鸣谢 SPECIAL THANK YOU: 共同艺术基金 Common Fund for Art Limited, 中国艺术基金会 China Arts Foundation

[零]

视听装置
2011
65
安置在宝钞胡同81号,Triple-Major概念店的顶层露台。
材料:四百只药淋子,四台电风扇。
风扇提供了一个观景角度,站在两台风扇之间感受着凉风,栏杆上夹着的另两台小的风扇在耳朵两侧有如一副耳机,适度的风声阻隔了街面传来的嘈杂,风吹动地上的药淋子象一种生命在无序的摇摆。
注解:药淋子是用来熬制中草药时筛漏药汤的工具,非常平民化也很便宜,而现在大部分的人们已经不再会去自己熬制中药,于是这简单廉价的小东西在时间里轻薄的接近消失。

此地无声是由Shan工作室Homeshop家作坊及其朋友共同发起的,以寻找作品的方式去认识这座城市,参展的16位艺术家在北京东城区二环内,以交道口北二条为起点将个人的作品分布安置在周围各个公共空间和商铺,其中包括国子监,鼓楼东大街,其间很多的胡同,古老的,残存的,地道的,北京的。观众需要领取地图去寻找作品,由声音艺术和视觉艺术,行为,讲座,Workshop,交谈,游览,吃吃喝喝构成。

展期:201165日-612

主办方 ORGANIZERS: 组织 ZUZHI / 家作坊 HomeShop / Shan-工作室 Shan-Studio
合作机构 PARTNER: 法国驻华使馆 Embassy of France in China
策划团队 PLANNING TEAM: 颖雅 Elaine W. HO, SHENG Jie aka Gogoj, XUE Xian, 骏园 Jun-Y CIAO
项目执行 PROJECT CHIEF EXECUTIVE: XUE Xian
海报设计 POSTER GRAPHICS: WoWo
网站设计 WEBSITE: www.ourwork.is
特别鸣谢 SPECIAL THANK YOU: 共同艺术基金 Common Fund for Art Limited, 中国艺术基金会 China Arts Foundation

2011/2 兑 Convert video art

Convert

12’18”

Pal B&W

2. 2011. Beijing.

Music and Video by gogoj

Dancer & Vocal by Olivier Heux

1218

Pal, 黑白

2011年2月,於北京

与另一个次元的兑换

音乐与视频制作:盛洁gogoj

人声,舞者:Olivier Heux

2011/1 试管青年 Test Tube Boy and Fragile Glass performance

Test Tube Boy and Fragile Glass

Performance, 16min. Jan 2011. at Homeshop.
Give subtitles to an adult video according to one of my dreams in 2008: Test Tube Boy and Fragile Glass

Olivier and I were living in a so-called high-grade apartment in Paris, which actually looked like a relocated community of China, dirty, simple and crude. Out of the apartment window, it was a second-hand market where many Arabians selling second-hand furniture and some Chinese supermarkets selling food from the 1960s. I got no idea who gave me a great-looking grey-colored plastic pistol, which has a return and a play keys on it. When I was still wondering what was wrong with the pistol, it began to tell a story of its past owner. On the screen there was a young boy (mixed-blood) riding a bicycle across the place where I lived in my childhood. He killed a middle-aged man with the pistol. In the following shot, he was prostituting in the dark, giving a man blowjob with lots of sweat, and then another… poor boy. In the end he was still killed and his pistol was given to me. It was not a toy, but what should I do with it? Then I though I could just sell it. I met another young man in the second-hand market, who was selling second-hand watches. He showed me a lot of watches with all styles, from modern style to designed style and also vintage ones. He said these were watches once belonged to Hegel and Lu Xun. From those dusty watches, I found that Nietzsche and Tagore used the same type of minima-designed black watch. I doubted that if he was just a cheater. At that moment, this guy told me that in fact he was a test tube and also a writer. He showed me the book he wrote, full of false sentimentality. I only remembered the last sentence: in our times there are a lot of people living on sending Cokes. They were named “Coca Cola men”. Coca Cola men enriched this economic society and accelerated its death. When I read this, he suddenly changed into a straight test tube.I cleared my mind after waking up. Here is my conclusion: Pistol =  camera, boys = glass, knowledge of scholars = bitches of time, Coke = Test tube, Me = second-handed.

试管青年

行为,16分钟。20111月,家作坊。

一个在2008年做过的梦为一部劣质成人录像配的字幕:

试管青年和脆弱的玻璃

我跟Olivier住在一个声称是位于巴黎的一所高级寓所里,可那看上去分明就是个回牵楼,并且肮脏简陋,从窗户望出去是个二手集市,很多老阿在那里卖旧家具,还有中国超市卖着一些60年代的食品。也不知道是谁给了我一把塑料手枪,灰色的,看上去挺高级,明明是把枪怎么那上面还有回放和播放的功能键呢,正琢磨呢,那枪就开始告诉我它原来的主人是怎么样的,画面里一个年青的男孩(咖啡混血)骑着自行车穿过我小时候住的地方,他用那把手枪杀死了一个中年男人,然后就是黑夜里他在卖淫,满头大汗的给一个男人口交,又再去伺候另一个男人可怜的男孩,最后他还是被打死了,他的手枪就到了我的手里,那不是玩具,可是我拿着它又能干吗呢,就想着干脆去二手市场卖了得了。在二手市场碰见另一个青年,他是卖二手手表的,他给我展示了很多手表,有新款的样式很现代很设计,也有老式的,他告诉我说这些是从黑格尔到鲁迅先生带过的手表,我在那些满是灰尘的手表里发现尼采跟泰格尔老人家有同样的一块设计很极简的黑色手表,我很疑惑他是否是个骗子,那青年这时候就告诉我说他其实是支试管,并且他还写书。他就给我看他的书,他的文字很嚼情,只记得最后一句好像是这么写的:这个时代有很多以给人送可乐为生的人,这种人群我们称之为:可乐人,可乐人密集了这个经济社会并使其快速走向灭亡。看到这里的时候他就变成了一支上下一边直的试管。醒来以后整理了一下思路,总结出这么几个东西:手枪=摄像机,男孩=玻璃,学者的知识=时间的表子,可乐=试管,我=二手。

2008220

2010/12 弦 “String at Shanghai” installation

“String”

installation at MOCA ShangHai Museum of Contemporary Art 2010 Dec, Exhibition – beyond the body.

Material: acrylic boxes, fishing line, water, plant form moca park, light.

Size: 13m x 3.7m

声影装置

材料:塑料透明盒子,鱼线,水,人民公园里的植物残枝,灯光。

尺寸:13米 x 3.7米

於展览[弦外]

2010年12月上海当代艺术馆

2010/11 弦 String at Tokyo installation

“String”

the beauty of strings stretched taut.
sound-lighting installation
materials: acrylic boxes, fishing line, water, bead, flashlight.
size: 6.7m x 3.5m
“String” is an interactive audio-visual installation completely free of any high-technology digital components. It uses simple, everyday principles of sound and light and is realized with common materials. Fishing line bears qualities similar to those of musical strings, and stretched across clear boxes in number and attached to a wall analogous to musical wood, it becomes an enormous stringed instrument. The boxes act as the bridge of the instrument, and with certain pressure on the fishing line, sound is produced. Water is contained in each of the boxes, and with each pluck of a string, participants can see the tableau of ripples produced by the vibration of sound. By moving the clear boxes up and down, different pitches of sound can be adjusted.Lit from above, the work forms rays of flowing light.Just as Eastern aesthetics are to a great degree created in a context of restriction, the stretched fishing line has the possibility to break at any time. This installation requires interaction on the part of its viewers, but only such that those who want to see or hear its beauty must do so at the risk of destroying it.

“String” installation in tokyo 2010,Nov, at 3331 art chiyoda.

弦-紧绷的美丽

声影装置

材料:塑料盒子,鱼线,水,玻璃珠,手电筒

尺寸:670cm x 350cm

2010年11月 於东京 3331 Art Chiyoda

[弦]是一个声音与影像初始自然生成原理的互动装置,与数字高科技无关。制作材料使用的是比较廉价常见的日用品。鱼线在这个装置里所起到的作用相当于一个弦乐器的弦,两端固定在木板墙上,再把装有水的塑料盒子插入鱼线与木板墙之间,由于塑料盒子有一定的体量会将固定在墙上的鱼线紧绷起来,在一定的张力下去弹拨鱼线就会发出类似弹拨乐器的声音,塑料盒子如果被上下移动便可以调制出不同的音调,也就是说塑料盒子的作用相当于一个弦乐器的码子,而由于整个墙面是木质的也就成就了共鸣这一乐器最基本的功能。一根鱼线一个塑料盒子加墙面上两根木条所制造的轨道(用来固定盒子只能上下移动)成为一组,可以根据空间的大小来无限的制作轨道的数量,一个庞大的弦乐器就在一个空间里产生了,可以供多人演奏。盒子里的水是通过手电的光来呈现弹拨时的声音所产生的水纹震动,而每一个盒子里的玻璃珠则像是一个个东京人的心脏,因为这个作品是在东京艺术驻留期间制作的,日本文化中的束缚与紧张也是东方传统美学里的重要部分。

2010/9 模拟系统视听表演 performance at 3331 art chiyoda Analog Audio Genarator

Audio Visual Art Performance at 3331 Art Chiyoda

Analog Audio Genarator + Iphone App

September 2010. Tokyo. Japan.

模拟系统视听表演

模拟信号发生器+Iphone App.

2010年9月

於东京 3331 Art Chiyoda,日本。

2010/9 电视男 TV MAN audio visual art

TV MAN

Oreginal Version Duration:13’37.
Analog Audio Genarator + Iphone App
Gogoj Audio Visual Performace
Li Zenghui Voice.

Concept And Technic Reserche By Gogoj,
8 Sept 2010 On Parallel Oscillation.
At 2 Kolegas, Beijing.

电视男

13分37秒

信号发生器+Iphone App

人声:李增辉

平行波,于两个好朋友club,北京。

2010/3 闇 The Sound Behind The Door experimental music

The Sound Behind The Door

Sally Can’t Dance 2010

L’os & Walnut Room(核桃室)

L’os
Violin: Gogoj
Vocal & Drum: Olivier Heux
Walnut Room:
Drum & Saxphone: Li Zeng-Hui
Drum & Guitar & Vocal: Feng Hao
2010.3 At D22, Beijing.

撒丽不跳舞中国试验音乐节2010

L’os 与 核桃室

L’os 成员:

小提琴:gogoj

人声和鼓:Olivier Heux

核桃室成员:

鼓,吉他,人声:冯昊

鼓,萨克斯:李增辉

20103月於D22,北京。

2009/6 夜行 Night Wander audio visual art

Night Wander

10’58”

Pal, Color
Analogic System AV

2009.6
Beijing,China

夜行

1058

Pal, 彩色

模拟视听互动系统

2009年6月於北京

2009/5 过期的黑白 Expired Black&White photography

black&white expired film.

shooting at Zhu Jiajiao ,Shanghai.

黑白过期交卷

拍摄于朱家角.上海。

2009年5月

2008/7 North Road L'os Experimental Music

North Road            

by L’ OS

Vocal: Olivier Heux

Music: gogoj

July 2008 Beijing

https://myspace.com/monolos

North Road

L’OS

人声:Olivier Heux

音乐:gogoj

2008年7月於北京

L’OS在法语里是骨头的意思,由gogoj(北京) Olivier Heux(法国) 成立于2008年,音乐创作风格偏向于实验吟游诗歌,噪音宗教仪式。L’OS尝试创造出一些非常自我的语言来阐释存在于现实中的不同空间分隔的游离状态,粗糙的质地和不稳定的吟诵制造出来的是一种黑色的不安。

电脑, 小提琴/ laptop&violin: gogoj

人声,鼓 / drum&vocal olivier

链接:http://site.douban.com/los/

2008/6 来北京当明星 To Become A Star in Beijing installation

To Become A Star in Beijing

double screen

5′ Pal color

6. 2008

The time differences captured and recorded by the camera with

various shuttle speeds under the flashlight show partial images.

The blaze flashing suddenly from darkness is a kind of concern

with violence. The audience have to learn to enjoy the momentary

stimulations on their retina given by the blaze because it dose not

only give beautiful light spectrum, but also explanations to vanity.

This work was installed at the entrance of Art Beijing 2008 .

来北京当明星

双屏录像

5分钟

Pal, 彩色

2008年6月

照相机的闪光灯在摄像机的镜头前以不同的快门速度捕捉记录下的时差,所呈现出的是半祯的光影画面,从黑暗中突然闪烁出的强光是暴力的关注,观者需要学会去享受那一瞬间视网膜对强光袭击的刺激,因为那个瞬间有美丽的光谱,也有对虚荣的阐释。

此作品被安装在2008年的艺术北京影像馆的入口处。

2006/7 枪手 killer photography

killer

photo graphy by light box

枪手

剧情摄影

灯箱装置

2006/4 推 Push installation

Push

split screen on many monitor

B&W, Pal.

2006

A and B stand face to face, A pushes B to produce another B, every push by A will produce a new B and this goes on until all the Bs push A off the screen, The video “push” attempts to capture what is currently occurring in China where creativity is taking a back seat to mere copying. Although numerous individuals are producing works under the banner of creativity, in reality most of the “creative” works are mere copies of what has already been produced. This takes on a life of its own where the copy of a copy overwhelms the senses.

多频矩阵影像装置

黑白,Pal

2006年

A与B面对面站着,A推B而制造出另一个B, 在每一次A的推动下都会产生新的B,依次产生越出画面,最后所有被推出的B一起将A推出了画面。

通过视觉化的无限复制来体现生产与制造的盲目庞大化,最终所带来的失控。

2005/7 中国盆景 Chinese Bonsai video art

Chinese Bonsai
Pal Color
54 second play loop
2005Dali, Yunnan.

中国盆景

Pal 彩色

54

循环播放

2005年於云南大理

2005/5 大罐子 Big Can sound

Big Can Trailler
The Whole Filme Duration: 30′
Big Can Is A Landscape Of Zhujiajiao, And Now

Is Disappeard. Inside Of This Can Is Warm,Closeness, Empty….Feel Like A Big Uterus Singular, There

Are Very Wonderful Sound Field, The Sound Was Echoed, Concentrated And Falled, Every Things Stoped In The Time By The Sound Form, Every Element Inside Shattered And Rebirth. We Are Just Tourist And Using Our Body Sound Communicate With This Strange Space Closed.
This Film Will Be Distribute On Dvd.
2009.5

大罐子 / 片段

Pal 彩色
全片长度:30分钟

2009年5月,上海朱家角。
大罐子是位于朱家角(距离上海一小时车程的江南水乡小镇)的一景,并且现在已不存在。这个废弃的大油罐只有猫着腰才能进入,里面闷热,空荡,象一个巨大的奇异子宫,里面有非常美妙的声场,回旋,聚集,落下,一切都在时间里用声音的方式沉淀下来,一切都是自然的不需要任何后期处理和加工,那些地上残留的油渍也在与声音同时震动着,而我们是一群好奇的游客,用自己的声音去认识这个陌生封闭的空间。
现在已经消失了。

gogoj a.k.a Sheng Jie

born in 1975 . based in Beijing China.

Listen and Watch are tow major element in Sheng Jies work, For make a circulatory system of perception in the space. Export by many form: experimental music, sound, video, painting, film, installation, compose, audio visual art performance etc.

2000, Diploma DNSAP from Ecole Supérieure Des Aat Décoratifs de Strasbourg in France. Currently lives and work in Beijing.

Founded Shan studio in 2010 . Manager of Maybe Ensemble and Founded DOT audio visual art laboratory in 2018.

 

Education:

2000/2005 DNSAP(Diploma National Super Art Practice). Ecole Supérieure Des Arts Décoratifs De Strasbourg , Option Art .

2003 Edinburg Art College ,apartment Film & TV.

Exhibition & Event:

7/2018 Founder of Dotavlab.

5/2018 Manager at Maybe Ensemble.

2016-2018 Film “Ruins”, Executive Director.

7/2016 Exhibition “Change and Breath Drug”, Hunsand Space, Beijing.

7/2015 Exhibition and Resistance in Cologne, Germany

6/2015 film “Myriad Visions Rise From The Void” Projection at China Art Museum.

6/2015 B3+Beijing, CAFA.

3/2015 video work “ Sand Man” select by Cine-corp, France.

3/2015 Solo Exhibition, wushi, Beijing.

10/2014 Tonglagen Electronic festival,Dresden,Germany.

7/2013 Lost In The Labyrinth-Sound Art In China, New York Electronic Art Festival. NewYork.

6/2013 No Difference Floating Exhibition, Beijing.

5/2013 Co-sound art festival,Zhujiajiao, Shanghai.

9/2012 Frishzelle/Early Winds festival 2012, sound & video performance,Cologne, Dusseldorf, Germany.

10/2011 Gravitational Field – 2011 Himalayas Cross-Media Art Festival, Shanghai.

6/2011 The Sound No Where Exhibition, Beijing.

1/2011 FINE TUNING, Homeshop, Beijing.

12/2010 Beyond The Body, Museum of Contemporary Art (MOCA),

Shanghai.

9-11/2010 Dislocate, Artist Residency Program At 3331 Art Chiyoda, Tokyo.

3/2010 Strawberry Jam,Vancouver International Centre for Contemporary Asian Art, Canada.

2/2010 “Scene • Area • Emotion” New Video Media Art Exhibition, Beijing.

10/2009 ‘THERE IS NO I IN TEAM’, Berlin.

3/2009 Sally Can’t Dance, china avant-garde music festival,D22, Beijing.

12/2008 IFA Gallery.

12/2008 Shanghai Shopping Gallery, Shanghai.

10/2008 Shanghai eARTS Festival 2008, Urbanized Landscape, Shanghai.

10/2008 Notche festival 2008, Beijing.

9/2008 Photo Beijing 2008, ArtBeijing, Beijing.

3/2008 Sally Can’t Dance Festival, Beijing.

2/2008 ‘THERE IS NO I IN TEAM’, ISIS Arts and /sLab present , Newcastle, UK.

11/2007 Microwave International New Media Arts Festival, HongKong.

9/2007 Frishzelle/early winds festival 2007, Cologne.

6/2007 BorderLine Festival, Platform China, Beijing .

5/2007 INFANTIZATION, Shanghai Art Museum. Shanghai.

12/2006 Exhibition “eyes on” Beijing –Shanghai.

10/2006 Festival ‘19es instants video’ , Paris,Marseille, Paraguay – Asunción.

9/2006 ZKM (centre for art and meidia),‘totalstadt.beijing case’, Karlsruhe.

1/2006 ‘the window on the street’ Petite Galerie-Aître Sanit-Maclou, Rouen,france.

11/2005 Film Alsace,Strasbourg, france.

3/2005 “TOP POPULAR DRUGS” à La Chauffrie, Strasbourg.

2/2005 “COW COW” à laitrie, Strasbourg.

12/2004 “Mars Person” Art Video Night In Paris.

盛洁(gogoj)生于1975年,北京。

作品以“听”和“看”作为主要的两种基本语言, 通过不同的媒介如:实验音乐,声音,  录像,绘画,电影,装置,  作曲,视听艺术,现场表演等, 将感知的过程进行输出,并探讨其中与空间所构成的场域循环系统。

2000 年留学于法国及英国,2005 年回国生活和工作。

2010 年创办 shan 视听实验室,一个以交流为平台的新媒体艺术私人工作室。

2018年加入以当代作曲为主的乐团Maybe Ensemble担任主要负责人。

同年成立DOT视听艺术实验室。

作品展览於亚洲以及欧美。

 

学历:

2000年-2005年就读于法国斯特拉丝堡高等国立装饰美术学院,艺术系(主修录象艺术)DNSEP(Diplôme Nationnal Supérieur Expréssion Plastique) De L’École Supérieure Des Arts Décoratifs De Strasbourg 获法国国立高等艺术专业硕士文凭。2002年3月交换学生项目三个月,於苏格兰首都爱丁堡美术学院,主修电影电视专业。

近几年展览 & 活动:

2018年7月  ,成立视听实验室DOT

2018年5月  ,乐团Maybe Ensemble负责人

2016年-2018年,电影长篇《废墟》执行导演和后期制作。

2016年7月,展览《第六颗子弹》,拾万空间。

2015年7月,德国科隆驻留项目,展览-发生关系以及演出。

2015年6月,与画家刘商英合作的影像作品《空故纳万境》展于中国美术馆,北京。

2015年6月,北京B3动态影像展,中央美术学院美术馆,北京。

2015年3月,录像作品《沙男》入选Cine-Corps身体艺术电影节-探索亚洲单元,雷恩,法国。

2015年3月,【闲置的实相】小型个人画展,吾十小院,北京。

2014年10月,Tonglagen电子音乐艺术节,德累斯顿,德国。

2013年7月,迭走迷宫,纽约 Harvestworks,美国

2013年6月,无差别-浮游当代艺术展

2013年5月,合声艺术节,朱家角,上海

2012年9月,先风试验音乐节,声音+影像 现场表演,科隆,杜塞尔多夫,德国。

2011年10月,[重力场]2011喜马拉雅跨媒介艺术节,上海。

2011年9月,国际新媒体艺术研讨会,上海。

2011年6月,此地无声,公共空间声音艺术展,北京。

2011年1月,[正音]家作坊,北京。

2010年12月,《弦外》青年女性艺术家影像展,上海当代美术馆。

2010年9月-11月,东京艺术家驻留计划,Dislocate, 3331 Art Chiyoda,日本。

2010年3月,草莓果酱,温哥华亚洲艺术中心,加拿大。2010年2月,亚洲艺术博览会影像单元“场情感”新影像媒体展,北京。

2009年10月,中国当代艺术展“THERE IS NO I IN TEAM”,柏林站,德国。

2009年9月,2009第五界中国宋庄文化艺术节。

2009年8月,过渡时间/穿过《漂移与衰减》实验音乐和实验电影。

2008年12月,上海艺法画廊 Automate。2008年12月,《》上海小平画廊。2008年10月,2008 上海电子艺术节,上海。

2008年09月,艺术北京,2008影像北京,录像装置,北京。2008年02月,中国当代艺术展“THERE IS NO I IN TEAM”,纽卡斯尔,英国。

2007年11月,/形光谱/,2007微波国际新媒体艺术节,香港。2007年09月,先风试验音乐节,声音+影像 现场表演,科隆,德国。

2007年06月,边界线影像节,站台中国,北京。2007年05月,上海美术馆主办“果冻时代”,上海。

2006年10月,法国,19es INSTANTS VIDEO 巴黎.马赛.南美洲.巡展

2006年09月,德国卡尔斯卢数码艺术展。2005年02月,法国斯特拉丝堡录像展。

2004年12月,法国巴黎艺术录象之夜。

出界的午睡

作曲作品“出界的午睡”

三把大提琴

时长10‘20

即将由Maybe Noise 出品影片和录音。